|New public art by Robert Adams at SE corner of Scottsdale and Camelback Roads, now with falling water|
The sound made by water falling on these suspended copper hemispheres surprised me with its muted, subtle, susurration. No bell tones, no metallic ringing whatsoever, only the combined flow of streams falling through rectangles cut in the plate above them, controlling the direction and volume for best effect with the hemispheres.
|A patina begins to dull the light|
It's possible, though I don't know if this was actually the plan, that water falling through just one of the rectangular holes onto just one of the copper hemispheres might make a pinging or ringing sound, but that the phases and timbre and tone of all the combinations happening here, on all these different sizes, run together like rain into a tuned chorus of ssshhhhhhhh.
|Morning commute sky|
And in the back of my mind while I sit on the bench with my bicycle leaning against it, I will be thinking that new things like this just-installed public art remind me of the passage of time and aging as much as the old ones do. In the first post, I wrote about differences and strangers, backgrounds and cultural quirks, but these drops now are whispering to me about time and its measurement, a drop exiting the carefully engineered rectangles falling a distance in time t of 1/2gt2, existing in its motion and sound a physical manifestation of the passage of t.
We are strangers in this light because time makes us so, as when the falling drop strikes the patina of the copper and smears across it in the dulled light, and it, and we, no longer look the same. Drop by drop, day by day, the patina intensifies, also in a manner carefully designed by metallurgists for an intended effect. But while hydrology, acoustics, metal work, and metallurgy produced this effect here (against the din of the traffic behind it), this observer sitting on the bench is the random variable moving with his own equation with respect to t, and other variables that are my own. While I measure these changes and feel the flow of the years, remarking appropriately that so soon a patina dulls the light, I also smile at the passage, at the symphonic susurration enveloping me, noting that the light sometimes strikes the patina just so, to make it golden.